{"id":115,"date":"2010-11-19T10:07:19","date_gmt":"2010-11-19T15:07:19","guid":{"rendered":"http:\/\/wrkc.kings.edu\/?p=115"},"modified":"2010-11-19T10:10:41","modified_gmt":"2010-11-19T15:10:41","slug":"girl-talk-goes-all-day","status":"publish","type":"post","link":"https:\/\/wrkc.kings.edu\/?p=115","title":{"rendered":"Girl Talk goes All Day"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-116\" title=\"girl-talk-all-day\" src=\"http:\/\/wrkc.kings.edu\/wp-content\/uploads\/2010\/11\/girl-talk-all-day.jpg\" alt=\"\" width=\"190\" height=\"190\" srcset=\"https:\/\/wrkc.kings.edu\/wp-content\/uploads\/2010\/11\/girl-talk-all-day.jpg 190w, https:\/\/wrkc.kings.edu\/wp-content\/uploads\/2010\/11\/girl-talk-all-day-150x150.jpg 150w\" sizes=\"auto, (max-width: 190px) 100vw, 190px\" \/><\/p>\n<p>In the first seconds of Girl Talk&#8217;s <em>All Day<\/em>, the mashup messiah lays Ludacris on top of Black Sabbath demonstrating very early that he&#8217;s continuing to freely cross-contaminate any genres. <!--more-->Within a few minutes he&#8217;s rolling in Jane&#8217;s Addiction, MIA, Color me Badd, and Missy Elliot. For a guy like Gregg Gillis, it&#8217;s not about blowing down doors and ironically combining things that the casual music fan would never think of together&#8211;it&#8217;s about making art. It&#8217;s not a coincidence that <a href=\"http:\/\/illegal-art.net\/\" target=\"_blank\">Illegal Art<\/a> is distributing the album for <a href=\"http:\/\/www.illegal-art.net\/allday\/\">free<\/a>!<\/p>\n<p>With his previous releases, like <em>Night Ripper<\/em> and <em>Feed the Animals<\/em>, Girl Talk has made a name for himself from his tight mixes. And he&#8217;s made a career for himself from his live shows. Now settled in his pop culture role, the songs expand a bit on <em>All Day<\/em>, ranging from 5:10-6:37 in length. They&#8217;re now mini-mixes that meet in between to make a magnum opus. Listeners can invest themselves in these longer pieces, rather than the fleeting pop songs on the radio. It&#8217;s an amazing situation: Gillis can create songs longer than audiences are used to and not worry about their attention-wandering minds, because his samples rarely extend longer than a minute or two before moving into something else.<\/p>\n<p>Gillis dips into newer catalogs like Big Boi&#8217;s &#8220;Shutterbug,&#8221; Beyonce&#8217;s &#8220;Single Ladies,&#8221; and Lady Gaga&#8217;s &#8220;Bad Romance.&#8221; But he also floats these new classics in nostalgia, like Skee-Lo&#8217;s &#8220;I Wish&#8221; in &#8220;Jump on Stage,&#8221; Cyndi Lauper&#8217;s &#8220;Time After Time&#8221; in &#8220;Make Me Wanna,&#8221; and The Jackson 5&#8217;s &#8220;I Want You Back&#8221; in &#8220;This is the Remix.&#8221; He still gets showy at times, making you wonder &#8220;Who else can put ODB&#8217;s &#8220;Shimmy Shimmy Ya&#8221; over Radiohead&#8217;s &#8220;Creep&#8221; like this?&#8221; or &#8220;Where else is Modern English clashing with Jay-Z?&#8221;<\/p>\n<p>To call out all the samples would be futile, but there&#8217;s no one who can listen to this 71-minute collection and not recognize something from their favorite hits of today or gems in forgotten memories. While someone might say Girl Talk is a genre-mixing genius, he&#8217;s more personally a time-bending scientist of sound. (And speaking of scientists of sound, the Beastie Boys are in there, too.) You should really let him experiment on your musical mind. Again, it&#8217;s free!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the first seconds of Girl Talk&#8217;s All Day, the mashup messiah lays Ludacris on top of Black Sabbath demonstrating very early that he&#8217;s continuing to freely cross-contaminate any genres.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-115","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=\/wp\/v2\/posts\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=115"}],"version-history":[{"count":3,"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=\/wp\/v2\/posts\/115\/revisions"}],"predecessor-version":[{"id":124,"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=\/wp\/v2\/posts\/115\/revisions\/124"}],"wp:attachment":[{"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wrkc.kings.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}